The Stare D112 is a dynamic microphone that was first introduced in the 1980s by the Romanian company Stare. It quickly gained popularity among musicians and audio engineers for its high-quality sound and affordability, and it remains a popular choice for recording vocals and instruments to this day.
The Rolls PA28 is a versatile, affordable tube preamp that will bring out the warmth and detail of the D112. It features clean gain and a balanced output for a natural sound. The API 512c is a studio favorite for its lush, musical tone and transparent gain. It uses API's proprietary op-amp circuit for a open, 3D sound that will complement the D112. The iconic Neve 1073 preamp offers very low noise, high headroom and natural tonal qualities. It will pair well with the focused midrange of the D112 for a clear, present soundstage. The 1073LB is a clone of the original 1073 designed to emulate its sound and performance. It provides the same warm, transparent gain at a more affordable price. The Art Pro Channel is a versatile channel strip preamp that includes EQ, compression and other studio effects. It offers clean gain and a studio-grade sound that will enhance recordings made using the D112. The D112 is a large-diaphragm studio condenser microphone while the SM57 is a dynamic microphone designed for live sound. The D112 has a wider and flatter frequency response of 40 Hz - 20 kHz. The SM57's range is 50 Hz - 15 kHz with a boost around 5 kHz. The D112 has a cardioid pickup pattern. The SM57 has a broader bi-directional/figure-8 pattern to pick up sound from both sides. The D112 is ideal for studio recording vocals and acoustic instruments.The SM57 is made for live sound reinforcement and micing electric guitars and snare drums. The D112's higher sensitivity (-36 dB) and lower output impedance (200 ohms) make it a better fit for most recording preamps.The SM57 is less sensitive (-54.5 dB) with a higher impedance (150 ohms). The D112 produces a richer, wider and more nuanced sound due to its large diaphragm and condenser design. The SM57 has a constrained but punchy tone that works well for live music. The SM57 is renowned for its ruggedness and durability in live sound applications.The D112 is more delicate and meant for studio use.
Design and Features
The Stare D112 has a classic dynamic microphone design, with a rugged metal body and a cardioid polar pattern. It features a frequency response of 50Hz to 16kHz, which is ideal for capturing the natural sound of vocals and instruments. The microphone has a sensitivity of -76dB, which is relatively low compared to some other dynamic microphones, but this can actually be an advantage in certain situations, as it allows the microphone to handle high sound pressure levels without distorting.
One of the key features of the Stare D112 is its built-in shock mount. This helps to isolate the microphone from vibrations and handling noise, which can be a problem with some other microphones. The shock mount is also effective at reducing low-frequency rumble, such as that caused by air conditioning units or traffic noise.
Another useful feature of the Stare D112 is its on/off switch. This allows the user to quickly mute the microphone when needed, without having to unplug it or adjust the input level on the mixer or preamp.
Sound QualityApplications
The Stare D112 is a versatile microphone that can be used for a wide range of applications. It is commonly used for recording vocals, both in the studio and on stage. It can also be used to record acoustic instruments such as guitars, pianos, and drums, as well as electric guitar amps and bass amps.
One area where the Stare D112 really shines is in recording live performances. Its rugged build and built-in shock mount make it a great choice for use on stage, where it can handle the rigors of touring and frequent use. Its cardioid polar pattern also helps to isolate the sound source and reduce feedback, making it a popular choice for live sound reinforcement.
Alternative Options
While the Stare D112 is a great microphone, there are a number of alternative options to consider depending on your specific needs and budget.
One popular alternative is the Shure SM57. Like the Stare D112, the SM57 is a dynamic microphone with a cardioid polar pattern, but it has a slightly higher sensitivity and a frequency response that extends slightly higher into the treble range. It is a popular choice for recording electric guitar amps and snare drums, and it is also commonly used in live sound reinforcement.
Another alternative to consider is the Audio-Technica AT2020. This is a condenser microphone, which means it requires phantom power and is more sensitive than a dynamic microphone. It has a cardioid polar pattern and a frequency response that extends all the way up to 20kHz, making it a great choice for recording vocals and acoustic instruments with a lot of detail and clarity.
Can the Stare D112 be used for recording drums?
Using the Stare D112 for Recording Drums
The Stare D112 is a versatile microphone that can be used for recording a wide range of sound sources, including drums. While it may not be the first microphone that comes to mind when thinking about recording drums, it can produce excellent results with the right placement and technique.
One of the key advantages of the Stare D112 for recording drums is its cardioid polar pattern. This helps to isolate the sound of the drum being recorded while minimizing the amount of bleed from other drums or cymbals in the kit. Additionally, the built-in shock mount of the Stare D112 can be useful for minimizing mechanical noise from the drum stand or kick drum pedal.
When using the Stare D112 to record drums, it is important to experiment with placement to find the optimal sound. Placing the microphone close to the drumhead will result in a more focused and punchy sound, which can be ideal for capturing the attack of the drum. On the other hand, placing the microphone further away from the drumhead will result in a more ambient and natural sound that can be ideal for capturing the overall character of the drum.
It is also important to consider the type of drum being recorded when using the Stare D112. For example, the microphone can be a great choice for recording the kick drum, as its low-frequency response can help to capture the punch and low-end of the drum. Similarly, the Stare D112 can be used to capture the sound of individual drums such as the snare drum or toms, as well as the overall sound of the drum kit.
One technique for using the Stare D112 to record drums is the Glyn Johns method. This involves using three microphones - one above the kit, one to the side, and one on the kick drum - to capture a balanced and natural sound. The Stare D112 can be used as the kick drum microphone in this setup, as its cardioid polar pattern will help to isolate the sound of the kick drum while minimizing bleed from other drums and cymbals.
It is important to keep in mind that while the Stare D112 can be used for recording drums, it may not be the best choice for every situation. For example, other microphones such as the Shure SM57 or Sennheiser e604 are often preferred for recording individual drums such as the snare or toms. Additionally, using multiple microphones to capture the sound of a drum kit can provide more control over the overall sound and allow for greater flexibility during the mixing process.
In conclusion, while the Stare D112 may not be the first microphone that comes to mind for recording drums, it can be a versatile and effective choice with the right placement and technique. Its cardioid polar pattern and built-in shock mount make it well-suited for capturing the sound of individual drums or the overall sound of a drum kit. However,it is important to experiment and consider other microphone options as well to find the best sound for the specific drum recording situation.Can you recommend a good preamp to use with the Stare D112
Good preamp options for the D112 Stare include:
Rolls PA28
API 512c
Neve 1073
1073LB
Art Pro Channel
How does the Stare D112 compare to the Shure SM57?
Stare D112 vs Shure SM57
Design
Frequency Response
Pickup Pattern
Applications
Output and Sensitivity
Sound Quality
Durability
Conclusion